bio

Natale Cree Adgnot is a Franco-American artist who uses abstract sculpture and installation to explore cognitive bias and logical fallacy. Best known for wall sculptures made of painted thermoplastic adhered perpendicularly onto panels, she increasingly incorporates a variety of materials that are emblematic of her personal history into her work.

Adgnot earned a BFA in graphic design in Texas and studied fashion in Paris. Her experience making garments for haute couture runways led her to focus on sculpture. While living in Tokyo, she began using thermoplastic (an artist-grade shrink plastic) to work three-dimensionally.

She has been featured in solo and two-person exhibitions at The Society for Domestic Museology and Established Gallery in New York, Myta Sayo Gallery in Toronto and Midori-so in Tokyo. Group exhibitions include SPRING/BREAK Secret Show, “Black & White” at BWAC – a show juried by Jenée-Daria Strand of the Brooklyn Museum – where she won an award, and “Sacred Pause, Sacred Fertilizer” at the Nevelson Chapel curated by Marly Hammer and Lisa Wirth. She lives and works in Brooklyn and New Paltz, New York.